Wine redesign encapsulates quality

Tin Roof wines are remodeled with a new look that’s based on finely tuned design expertise and a little luck.

Pw 8148 Tr Chard

A new company, a new acquisition, and now a new look. It has been quite a start for White Rocket Wine Co., Napa, CA, which officially relaunched Tin Roof Cellars in May 2007, according to vp of marketing Mark Feinberg.

“We wanted a look and feel that was simultaneously retro and modern, that speaks of old-fashioned quality, yet appeals to Millennial-generation consumers who increasingly drive the market for premium and super-premium wines,” says Feinberg, who defines Millennials as consumers aged 21-35.

“We totally reinvented the brand,” summarizes Feinberg of the redesign, which includes a new closure type, new bottles, and a new label. Tin Roof produces six varietals in 750-mL bottles.

After determining through consumer feedback that the brand name was strong, White Rocket set out in early 2007 to redo Tin Roof through a major redesign. It turned to HKA Design (www.hkadesign.com) to help with the project.

“We looked initially at 57 different package design concepts and narrowed them down to one,” says Feinberg. Central to the revision was the label.

“Our new label invites consumers to imagine sitting on a porch gazing at vineyards while listening to the patter of rain on a tin roof,” says Feinberg. “It offers escape to a place where you can relax and enjoy delicious, handcrafted wines under your own roof.” The label illustration depicts a tin-roofed winemaking shed in the middle of the vineyard that looks as if it belongs in a John Steinbeck novel.

From ColloType Label (www.collotype.com), the label is converted from a 60# uncoated pressure-sensitive paperstock. A UV-flexo and screen-printed combination deliver more than seven colors, plus embossing and hot-foil stamping. “It’s printed using muted pastels, but for the brand name and roof, we used a shiny silver foil embossing,” Feinberg points out.

The old label offered four-color print including shades of gray and muted reds and purples. In fact, Feinberg characterizes the previous package design as “less than perfect. It was difficult to read the brand name, and there wasn’t a lot of contrast. In addition, the label was not well-defined, so it was a bit confusing to understand really what the brand was all about.” Feinberg estimates the previous design was used for three to four years.

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